by Mattie Lucas
Cinema from a Decidedly Queer Perspective
The Substance | 2024
There is no doubt that Coralie Fargeat's The Substance is a stylish film. It is one of the boldest and most outrageous films to receive a wide release in recent memory, and to that end, it is something worth celebrating. Fargeat is taking huge swings here, and regardless of how one responds to those swings, it feels like something of a minor miracle to see a film that takes such risks playing at the local multiplex.
There's something agreeably no-nonsense about Alex Parkinson's Last Breath, a straight-down-the-middle, meat-and-potatoes true-life rescue thriller we rarely see anymore. Perhaps I'm looking at the past through rose-colored glasses, but there once was a time when mid-budget actioners like this were multiplex staples. Nowadays, you're more likely to see movies like this relegated to streaming rather than playing on a big screen.