I've seen a lot of bad movies. Call it an occupational hazard, but I couldn't even guess how much bloated, bland, pretentious, and downright incompetent slop I've seen on screen. Yet, I can't remember the last time I saw a film so soulless and dispiriting as The Electric State - the latest "this can't possibly be real" Netflix mockbuster from Joe and Anthony Russo (Avengers: Endgame).

Although he's taken something of a detour into large-scale blockbuster filmmaking in recent years with films like Jungle Cruise and Black Adam, Jaume Collet-Serra is primarily known for his moderately budgeted Liam Neeson thrillers from the 2010s such as Non-Stop, The Commuter, and Unknown. In that regard, his latest film, Carry-On, is a return to form for the filmmaker, giving him a high-concept thriller with a crackerjack premise.

It isn’t easy being transgender. For those of us who live in America, it’s about to get even harder. With the recent election of Donald Trump and the rush by Democrats to blame trans people for their loss (despite running away from our issues at every turn), the future can seem somewhat bleak. It is of some comfort, then, that our stories are still being told. But as shown by two recent Netflix releases, we’re both making strides, and taking steps back.